Their themes mostly centre around the urban lumpen, contract killers (called quotation gangs in local parlance), slums, sex workers and unemployed youth, with some political colour and Sufi Rock thrown in to make them look both intense and cool. In the guise of contemporary cinema, a lot of city-based youngsters, mostly from the state’s movie capital of Kochi, have been making quite a number of thug-films, films that deal with the hard life of the urban underclass depicting a lot of violence, foul language and even sexual permissiveness with practically no perspective or purpose. What makes it special or rather endearing is that despite its dark milieu, it’s a hugely transformative movie. It’s rooted in reality, deals with the lives of the subaltern that both the arthouse and mainstream movies have made look contrived, addresses a number of contemporary socio-political issues in a highly nuanced way and is a moving essay on human relationships, loss and redemption. Kumbalangi Nights is not the first breakthrough in the generic transformation that Malayalam cinema is currently witnessing, but is certainly a movie that has moved closer to truthfulness and perfection. Kumbalangi Nights is primarily about three young men and their school-going brother living a pathetic life in an incomplete hut in a small island near Kumbalangi.
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